Welcome to the blog area of NixImages.com. This blog covers topics and services not included in my main site. These include training, model shoots, tutorials, and general discussions about photography and photo editing. Enjoy!
The Seer
I had an idea for a shoot that I wanted to do, so with a little help from ebay (head piece and necklace) and a ceiling lamp fixture, I was ready to go. I enlisted the help of a model, Megan (aka Lysandra Midnight), who was more than eager to participate.
During my last wedding shoot, my 580ex II bit the bullet. I would have sent it in for repair but I did some super glue repair and figured that CPS wouldn’t work on it. That being said, I bought a new Canon 600EX-RT as a replacement and used it to light up the globe and my model. I then added two White-Lightnings with grids on either side of her head to add a bit of light on the head-scarf and shoulders.
In post-processing I changed the white balance to add a bit of warmth. I added a moon shot I did a while back and masked around the model to allow the moon & clouds to come through. This is pretty much a “work in progress” as I’m sure I’ll create a few variants of this particular shot.
Dy’Vers Colour Model Shoot
This weekend I shot a ph
oto session for a number of models from the Dy’Vers Colour Promotions group.
The session started in the Mt. Hope Cemetery then moved to Warner Castle’s sunken garden. These ladies were just a subset of the models available and I’ve selected only a few images to represent the session.
Enjoy.
To see more of these models ==> CLICK HERE
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My Canon 5D Mk III has just arrived
Sometimes upgrading equipment is more than just hardware. Like a kid with a new toy I couldn’t wait for that battery to charge so I could investigate the workings of my new 5D Mk III. While waiting, I went through the manual to get a feel of the camera and to learn the differences between my old gear and this new 5D version.
First the menu is a bit different than the previous 5D models, with certain settings that I would prefer to be grouped together scattered across the tabs. From what I gathered, I believe there’s a way to build a custom menu that I’ll have to delve into.
OK so without waiting for the battery to fully charge, I slapped on my 24-105, inserted the partially charged battery, focused on a totally boring subject and pressed the shutter button; I really wasn’t ready for the sloppy sounding shutter. My 5D is crisp, sure and solid while the Mk III sounds like someone wearing flip-flops. I imaging I’ll learn to embrace and eventually love the new sound. Not.
Now that I took a few shots I quickly copied the raw files to my PC and what to my surprise, neither lightroom 3.6 or ARC 6.6 could read the files. This was like deja vu and brought me back to the day I tried to get the raw file from my 5D to open in Photoshop CS2. Needless to say I had to upgrade to CS5 but the good news was that the Adobe DNG converter allowed me to convert my 5D CR2 files to DNG so I didn’t have to hurry to upgrade; but I digress.
I went online and found Adobe’s ACR 6.7 and DNG Converter 6.7 release candidate (beta). After installing both I was able to open the Mk III raw file in Adobe Bridge w/ ACR 6.7(RC1) and now convert the same raw files to DNG for use with Lightroom 3.6. Lightroom however doesn’t seem to be able to use the beta version of ACR 6.7 so all files need to be converted to DNG or upgrade to Lightroom 4.0. BTW, Lightroom 4.0 beta will read the new files but since the beta expires at the end of this month, I’ll either have to purchase the upgrade or hope that Adobe will provide a compatible ACR version.
Another software compatibility issue was that the EOS Digital Solution Disk that comes with the Mk III does not work with Windows XP Pro-64-bit version. You might ask why I haven’t upgraded to Windows 7… cause if it ain’t broke, don’t fix it. I will however have to upgrade soon since Windows 8 is coming out and from all the reports I’ve heard from people who have development versions of it, it sucks. Remember Vista? you’ll look back on it with fondness.
Well I guess I’ll end this post and continue investigating my new camera. After a week or so, I’ll probably put my 5D up for sale. Gotta help pay for this new bad boy.
South Bristol NY is having a photo contest
| Winter | Spring | Summer | Fall |
Jan. 1st thruMar. 31st |
Apr. 1st thruMay 31st |
Jun. 1st thruAug. 31st |
Sep.1st thruNov. 1st |
| • | All submitted photos must have been taken by you (applicant), thereby making you the copyright owner. You will attest to the fact that the photograph is yours and you agree to indemnify and hold harmless the Town of South Bristol, Town Employees, Board Members and Contest Officiates in any complaint or suit that may result from false claims of photo ownership. |
| • | All photos submitted must be digital, high resolution images in jpg file format. |
| • | All photos MUST BE TAKEN IN SOUTH BRISTOL, NY. |
| • | Five (5) photos can be submitted, per person, per season. |
| • | The organizers and sponsors reserve the permanent nonexclusive right to publish, reproduce, display, distribute and show on screen any submitted photograph on websites, photo exhibitions, trade shows or any other media which is under the management of the organizer and sponsor for the purpose of promoting the contest. In all cases where such photographs are used, the organizer reserves the right to do so without obtaining the further prior permission of the photographer and without offering any further compensation in any form. |
Studio Ligting Class
During the 4th session of our studio lighting class we had a the opportunity to secure the services of Megan (aka. Lysandra Midnight) as our model. It sure beat the 40 year old bust of Beethoven that we’ve been using. And while Beethoven is capable of holding a pose for days, he has the same old look. So when Megan agreed to model for the class, I jumped on the opportunity.
For this 4th class, we concentrated on low-key photography where the model, and background were dark. We used a black background, black lace and dark clothing for this session. I’ve posted a few of the images taken by the class participants on this post.

We only had three people in class during this winter session, but then it gave us more time to play and experiment with the lighting. I’ve posted a photo from each person on this post but you can view the remainder of the by clicking on the gallery link at the bottom of this article.
I didn’t have the opportunity do any shooting during this 4th session but I did manage to get a few shots off during our 5th session which was primarily high-key photography.

Megan came back to the studio and brought a wedding gown with her. What better high-key subject than a bride. Well, like I said, I did manage to squeeze out a few shots during this session so I’ll post one of mine below. Next week when I get copies of the photos from the other participants I’ll add them to the gallery and one or two to this post.


You can find the remainder of the photos at the following gallery: Megan, or you can go to the classes area to view some of the previous classes that had models.
If you’re interested in taking a class, the new Spring Schedule is now online. You can go to the Community Darkroom at the Genesee enter for the Arts & Education for a list of classes, dates and costs.
Checker this out
I had an idea a while ago to shoot something with a checkerboard pattern. After finding the right backdrop and body suit as well as a willing model, I was ready to go. I definitely like the results and have already come up with some additions and modifications to expand and fine tune the concept.
I’ve attached 3 photos to this article and hope that you find them interesting. I can’t wait to implement my other ideas during my next checkered photo session.
Hope you enjoy the photos and as always, comments are welcome.
Backups and CPS
It’s happened once before but never in the middle of a wedding; the dreaded camera crash. I pressed the shutter, heard the familiar sound of the mirror slap and the sight of the viewfinder going dark; trouble is, the viewfinder stayed dark. Not being too alarmed I turned off the camera and removed the battery in an attempt to reset it. I turned the camera back on and nothing, the viewfinder stayed dark. Ok, now it’s time to worry.
I decided to remove the lens and to my horror, pieces of my mirror fell out. I quickly recovered my composure, grabbed my backup, which is always ready to go, but because it’s a crop factor camera I had to use my 17-40mm to accommodate the tight quarters I was shooting in. The rest of the New Year’s Eve wedding shoot continued without incident.
I had another wedding in two weeks so it was imperative that I get my camera repaired. Since I was a CPS (Canon Professional Services) Gold member, I filled out the repair form and called to arrange the repair. Canon provides free overnight shipping and insurance. The camera went out on Tuesday and on Thursday I got an email from Canon telling me they received the camera. Monday the FedEx truck showed up at my door with my repaired camera. Do you remember Christmas morning when you were a kid? I couldn’t wait to try out the camera. Trouble is, it was winter, the box was cold and the house was warm. I had to wait a couple of hours for the box and camera to acclimate before trying it out.
When I finally opened the box and checked out the repair ticket, I discovered they not only replaced the mirror, they also changed the focus screen, updated the firmware, and gave the system a good cleaning. The very next day I used it for a scheduled studio session.
Moral of the story? Always have a backup and if you own a Canon, join CPS. If you’re a Nikonian there’s NPS. Nuf said.
High-Key Photo Session
Texture to me is very important and while all the clothing, backdrops and props were white, the textures were all different, including the faux fur rug. Even though everything blends in, the varying textures make the photo interesting.
This session also afforded me the opportunity to try out my new 60″ umbrella soft-box as a fill light. Compared to the rectangular softboxes that I previously used, this thing is super easy to set up, produces an amazing soft and diffused light and the round catch lights are awesome. Since I often bring my lighting to client locations, the additional benefits of easy and rapid setup and breakdown make these types of softboxes a dream to work with.







